Hilary Jack
Education
2003
TIPP (Tihany Residential International Post Graduate Programme) Goldsmiths College, London in conjunction with The Hungarian Academy of Fine Art, Budapest, Hungary.
2002-2003
MA Fine Art, Manchester Metropolitan University.
1993-1995 -
BA(hons) Fine Art, Manchester Metropolitan University.(upper second)
Selected Exhibitions.
2012
Flights of Fancy, Tatton Biennial, Tatton Park Cheshire, curated by Danielle Arnaud and Jordan Kaplan
Hilary Jack, solo, Carter Presents, London
2011
And Scent of Pine and The Woodthrush Singing, solo show, Castlefield Gallery, with contextual essay by Axel Lapp
Group show at Glasgow School of Art with Roy Voss, Brian Griffiths
Unintended Consequences, two person show with Emma Holden, August Art, London
Hilary Jack, solo Vinyl, Birmingham.
Wild Thing Paradise Mill Macclesfiled with Dallas Seitz Mit Senoj Beata Veszely
2010
Mortars at dawn, with Carter Presents at Leroy House, London
Save Us, Christ Church Macclesfield, with Ian Davenport, David Shrigley, Mit Senoj, Nick Crowe and Ian Rawlinson curated by Karen Gaskill
Meanwhile in Manchester, Lombard Methos and Grand Union, Birmingham
Strangeness and Charm, with Fieldgate Gallery, at Vicktor Wynd, London
2009
The Social Lives of Objects, Castlefield Gallery, Manchester.
Dumb Objects, Wolstenholme Projects, Liverpool.
The Manchester Contemporary, represented by Axis
The Kiss of a Lifetime, Rogue Studios, Manchester (touring to Vane, Newcastle, Bearspace, London)
Making and Mending, Bury St Edmunds Art Gallery, Bury St Edmunds.
Sale, The Royal Standard, Liverpool
2008
Sex and Witchcraft, group show Transition Gallery, London, accompanying essay by Gary Lachman.
The Manchester Contempoarary, represented by Castlefield Gallery
Axisweb Event, in collaboration with Sally O Reilly, Manchester.
One Minute, The Directors Lounge, Berlin, and venues tbc in Prague, Rurh, St Petersberg, London and Manchester curated by Kerry Baldry.
2007
Meeting Point, group show, Axel Lapp Projects, Berlin.
E8, group show with Tom Hunter, Laura Oldfiedl Ford, Transition Gallery, London, group curated by Cathy Lomax, (catalogue) accompanying essay by Dr Amanda Ravetz.
Extreme Crafts, Centre for Contemporary Art, Vilnius, Lithuania, with Juneau Projects, Catherine Bertola curated by Catherine Hemelryk and Jennie Syson.
One Minute, Candid Arts Trust, London curated by Kerry Baldry (video programme shown in various venues throughout Europe).
2006
Conflux 06, multi site art exhibition, New York, www.glowlab.com, curated by Christina Ray and Sarah Pace.
Supernature, off site residency at Transition Gallery, curated by Cathy Lomax
2005
Turquoise Bag in a Tree, video installation and sculptural inventions commissioned by Cornerhouse Manchester for The Bigger Picture, Exchange Square, Manchester,(selectors Kathy Rae Huffman, Cornerhouse, Kate Taylor, The Bigger Picture, ICA Film Festival)
2004
Surveillance group show, Three Colts Gallery, London.
Do Something For Floating Ip, Floating Ip, Manchester.
Gallery 32, London W1, London Biennial of Contemporary Art 04
Art Trans Pennine, Trans Pennine Region, curated by Nick Crowe and Ian Rawlinson. www.artranspennine04.org.uk/
2003
TIPP, Hungarian Academy of Fine Art, Budapest. Curated by Beata Veszely and David Wilkinson, Goldsmiths College London.
Dark and Disturbing Things Ov Arup, Manchester.
The Eve of Destruction curated by Vilma Gold at International 3
Beyond The Endgame, Manchester Art Gallery (catalogue)
Thermo 03, The Lowry, Salford.
Ladies Only, Liverpool Bienniale of Contemporary Art, (Independents) curated by Caroline Black.

Bursary Places
Overlap Symposium, 2004, awarded by Hungarian Academy of Fine Art, Budapest and Goldsmiths London.
The Wrong Place Conference, 2005, Situations, awarded by Claire Doherty, UWE, Bristol.
Nominations
Becks Futures 2002, and 2003

Collections
Manchester Art Gallery
Private Collections